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Month: October 2014


  • Katie Alender Shares Her Secrets For Writing Scary Stories

    “I can’t watch horror movies! They’re way too scary, ha ha! It does seem a little odd that I’m a total wimp about anything spooky. I’m especially awful at watching …

  • Pottermore Offers New Content By J.K. Rowling With Revealing Details About The ‘Great Villain’ Dolores Umbridge

    LONDON, ENGLAND – Exclusive new details about the witch and Hogwarts Professor Dolores Umbridge were revealed today in the latest writing by J.K. Rowling available on the author’s website pottermore.com.  The new …

  • ‘New Yorker’ Cartoonist Liam Francis Walsh to Create a Wordless Picture Book

    Neal Porter, the head of his own imprint at Roaring Brook Press, managed the acquisitions process and intends to publish the book in Fall 2016. Daniel Lazar, a literary agent …

  • First Book and HarperCollins Children’s Books Introduce First-Ever Bilingual Edition of Goodnight Moon

    First Book’s “Stories for All Project” Addresses the Lack of Diversity in Children’s Books, Bringing Classics and Diverse Books to Kids in Need WASHINGTON, Oct. 29, 2014 /PRNewswire-USNewswire/ — Goodnight …

  • Alex London to Write a Middle Grade Series Inspired By ‘Redwall’

    “The books will feature an animal world inspired by Brian Jacques’s Redwall series; as a child, London wrote Jacques a fan letter telling him that he wanted to be a …

  • Jason Segel Talks About Collaboration

    Segel devoted most of his professional life to an acting career in Hollywood so he did not have any experience with writing children’s books. Miller, the New York Times bestselling …

  • Fans and Families Everywhere Get Set for a Spooktacular Halloween with Goosebumps™

    New York, NY – Ghouls and boys of all ages will celebrate Halloween with a host of frighteningly fun new Goosebumps™ activities and events! To help fans everywhere get into the spirit,Goosebumps author – …

  • Katherine Paterson’s Nonfiction Debut

    In spite of a late start, Paterson eventually found great success as a writer. She has garnered two National Book Awards as well as Newbery Medals for Bridge to Terabitha and Jacob Have I …

  • Writing Tricks From Successful Young Adult Authors

    “Rainbow Rowell never set out to be a YA author. Her first book, Attachments, was for and about adults, and though Eleanor & Park is a teenage love story set …

  • Pottermore to Release New J.K. Rowling Writing About Dolores Umbridge On Halloween

    London, England – In a special Halloween treat for Harry Potter fans, J.K. Rowling’s website pottermore.com will post new original writing on October 31 about the witch and former Hogwarts professor Dolores Umbridge. The character …

  • Call for More Inclusive Stories in the Science-Fiction & Fantasy Genre

    Within the past few years, the call for more representative children’s books has been steadily building. A Twitter conversation between YA fantasy authors Ellen Oh and Malinda Lo sparked the popular We …

  • HarperCollins Publishers Acquires Two-Book Deal By Award-Winning Author Patrick Ness

    New York, NY — HarperCollins Publishers announced today the acquisition of a two-book deal by critically acclaimed author Patrick Ness, author of the award winning A Monster Calls, More Than This, and …

  • Daniel Handler Introduces a New Indies First Initiative Called Upstream

    This would allow indie book shops that are not located in big cities to sell autographed books to their customers. Handler wrote a letter and posted it online in the …

  • Bestselling ‘Diary of a Wimpy Kid’ Series Has Over 150 Million Copies in Print Worldwide

    New York, NY – Amulet Books, an imprint of ABRAMS, announced today that Jeff Kinney’s Diary of a Wimpy Kid series will surpass 150 million copies in print on November 4, 2014, …

  • CBC Diversity: Embracing Diversity Without Qualifiers — An Observation

    Last week, I came across an interesting article via one of my personal favorite pop culture websites Pajiba.com (their Walking Dead and Game of Thrones coverage makes this self-affirmed geek very happy – what can I say?) - an article that initially enraged me.  And then stuck with me and made me think.

    The article in question called out a recent, somewhat controversial interview with author Matthew Klickstein, creator of a new book called SLIMED! An Oral History on Nickelodeon’s Golden Age, on the site Flavorwire.  In the interview, Klickstein discussed the network’s “diversity problem” and, in specific examples, pointed to current Nickelodeon shows (such as the popular Sanjay and Craig) where he criticized instances of showcasing diversity for the sake of diversity, casting lead roles in animated shows where there was no reason for said characters to be ethnically diverse.

    There are plenty of hot-button points Klickstein makes in his interview specifically on topics in the ongoing diversity dialogue that I won’t get into here, but what stuck with me long after reading was a point Klickstein made that resonated with me in a way I don’t think was his intention.  According to Klickstein, the strength of a good character within any medium comes down in the simplest form to the writing and development, and in that way, maybe it shouldn’t matter whether said character is Caucasian, Hispanic, African-American, or any other ethnicity, if said ethnicity doesn’t impact the show’s storyline.

    My argument in response to that basic reasoning is that Klickstein is demonstrating exactly why it’s so vital to introduce greater diversity into mainstream culture, from television to the publishing industry.  Every literary character in his or her most basic composition has quirks, flaws, personality traits, and essential elements that make him or her unique and worthy of exploration by a writer, regardless of the medium.  Some of those elements are clearly influenced by a person’s ethnic background, or the life they’ve lead within their individual skin, whether for better or for worse.  But there remain basic elements, essential elements, to just being a human being that connect all of us on a basic level that transcend those lines, elements that are vital to character development in any really great piece of writing.

    Klickstein’s point is that at the end of the day, the character is what matters, but my argument in return is that, if at the most basic level, essential human elements are shared between all of us, why not embrace every opportunity to color all of literature and television with characters who embody those human traits, even if specific cultural factors aren’t incorporated into the storyline?

    Does Sanjay need to be an Indian character to be an entertaining one on Sanjay and Craig?  No.  Did Carter Kane in Rick Riordan’s The Kane Chronicles need to come from a mixed-race background?  No.  For the elements of the story that keep the essential plotlines moving in those particular instances, ethnicity only appears in broad strokes to come into play in physical depiction. 

    And that’s the point.  Kids growing up, watching TV and reading, need to see themselves and their respective cultures represented truthfully on screen.  But they also need to see a world where kids go through regular, every-day problems that are shared human experiences transcending cultural barriers.  Sure, Dora the Explorer could have been a Caucasian character (with impressive Spanish-speaking skills), successfully teaching children basic educational concepts.  But by the same token, Harry Potter could have been an African-American character too.  His character trajectory as depicted by J.K. Rowling would have been essentially the same, and yet one little boy or girl out there might have been impacted in seeing this regular, ordinary kid look a little more like them.

    I’m not advocating for diversity for diversity’s sake without thoughtful look at how all ethnic backgrounds are depicted in entertainment.  And I realize I’m making a bit of a broad strokes statement by claiming that characters with diverse backgrounds can be swapped around like stand-ins in a school play (or that Harry Potter wasn’t, in my mind, a fantastic character just as Rowling depicted him).  It’s certainly much more complicated than that. 

    But I do think it’s important to remember and to consider that, as a publishing community, we are providing for future generations with a road map of our culture through the literature we offer the world.  Don’t we want that world, even in the most mundane interactions and even in the most broad-reaching story lines, to reflect the fascinating, and diverse world it’s become?

  • Cecelia Ahern to Publish Her Debut Young Adult Fiction Books

    “Ahern, whose bestselling books for adults include PS, I Love You and How to Fall in Love, sets Flawed and Perfect in a future society where perfection is valued above …

  • Little Five Star Partners with ‘Pets in the Classroom’ Program

    The Arizona-based publisher is currently seeking sponsors to help deliver a copy of Storad’s book to recipients of this year’s ‘Pets in the Classroom’ grant. Featuring illustrations by Alex Lopez, the book teaches children …

  • CBC Diversity: ‘PW’ Panel Warns Industry, Lack of Diversity Threatens Publishing

    'PW' Panel Warns Industry, Lack of Diversity Threatens Publishing:

    At a panel about the lack of diversity in the book publishing industry, hosted by PW, a number of publishing professionals warned that the overwhelmingly white makeup of the industry threatens its long-term viability.

    Two of the three amazing panelists were a part of DIBs (Diversity in Books), the group of editors who helped create the CBC Diversity Committee. Alvina Ling and Stacey Barney not only talked about some of the barriers (to entry into the publishing world along with publishing more inclusive stories), but highlighted some of the amazing bright spots in publishing that need to be celebrated in this conversation. Some of these include:

    • Diversity committees instituted inside publishing houses
    • Titles written by and starring people of color that have reached the bestsellers list
    • Outreach to schools and universities (in-person and through virtual career fairs that introduce students early to the possibility of a career in publishing)

    After about an hour of moderated discussion, the conversation was opened for audience participation. One question that was asked of the panel near the end was, “To continue to move the conversation forward, but also as a means to institute more action and change, what collaborations/partnerships/programs would you like to see instituted to help promote more diversity in-house as well as get more books supported that are written by and about people from different cultures?”

    Some of the panel’s answers?

    1. More scholarship programs for publishing programs/internships to help with the financial burden of getting your start in publishing
    2. More partnerships with media outlets to cover more diverse offerings
    3. Finding a way to utilize celebrities to endorse reading cross-culturally
    4. More support systems to allow individuals to be in the publishing world (like mentorship programs)

  • Taylor Swift Joins Scholastic to Talk to Kids About the Power of Reading

    New York, NY — Scholastic, the world’s largest publisher and distributor of children’s books will present an exclusive video featuring an inspiring, personal conversation withTaylor Swift the global superstar and seven-time Grammy® winner about …

  • A “Kaleidoscope of Books for the Classroom”

    Last week, at the National Children’s Book and Literacy Alliance (NCBLA)’s In Search of Wonder: Common Core & More Conference in Ohio, specialists in literature for young people shared their …


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