The Girl Who Drank the Moon

Let’s start this off by saying that if you did not read Barnhill’s previous children’s novel, The Witch’s Boy, you should. The Girl Who Drank the Moon is another enchanting tale from an author who creates thoughtful, playful stories full of magic and whimsy.

Once a year, the people of the Protectorate leave a baby in the woods to protect their town from an evil witch. But this witch is far from evil; she rescues each child, taking them to villages on the other side of the forest to be loved and cared for. She feeds the babies starlight on the long journey, but what happens when you feed a baby moonlight by accident?

The Girl Who Drank the Moon is more than just a fairy tale. It is a story about the lengths people will go to protect themselves and their loved ones, as well as the consequences they face in the aftermath. It is also a story about hope, friendship and all the other things that make life worth living. Barnhill does a masterful job in building a fantastical world where characters come alive and jump off the page, while also revealing truths about the world around us.

This Savage Song

In a world where humans create monsters through acts of violence, V-City is divided. In North Verity, Callum Harker promises to keep the monsters under his control—for a price, of course. His daughter, Kate, is determined to earn her father’s respect by proving she’s just as ruthless as he is. On the other side of the city, Henry Flynn has dedicated his life to fighting the monsters, by any means necessary—even if that means enrolling his adopted son, August, in Kate’s school to spy on her and her father. But August has a deadly secret that he must protect at any cost: he is a Sunai, the rarest kind of monster that feeds on the souls of sinners and is born from horrific acts of mass violence. Kate and August think they understand how V-City works, but as their paths collide they realize that everything is more complicated than they thought and they face betrayal from the people—and monsters—they thought they could trust.

In this careful mix of supernatural and dystopian, Schwab takes the best of both genres to create a darkly compelling world that feels at once foreign and familiar. Kate and August are deeply likable and nuanced characters, and their story is fast-paced and swirling with intrigue and revelations that will keep readers guessing until the very last page. With a sequel planned for 2017, This Savage Song is a must-read.

Asked and Answered

What children’s literature character would you like to dress up as for Halloween?

“I would dress up as Eloise from the Eloise series, because she was my favorite character growing up. And you never grow out of wanting to be Eloise!”

Sara Dayton, Digital Product Manager, Penguin Young Readers

“For the perpetual Halloween inside my heart, I would like to dress as Mitzi from Tell Me a Mitzi, by Lore Segal and illustrated by Harriet Pingus. It’s a childhood favorite I read until it fell apart, and it is so strange and urban and Jewish and wonderful and strange (and out of print), I feel the need to evangelize for it at any opportunity. If I can do that while wearing purple star-print onesie pajamas and a pointy hat, all the better.”

Rachel Fershleiser, Executive Director of Audience Development, Houghton Mifflin Harcourt

“I’m still deciding what to dress up as this year, but last year I was Wolfie the Bunny, based on the book by Ame Dyckman and Zachoriah Ohora. The book’s designer was Dot the Bunny, and Ame and Zach’s new editor was a giant carrot! In past years I’ve dressed up as Cloudy with a Chance of Meatballs, Madrigal from Daughter of Smoke & Bone by Laini Taylor, and Shark from Shark vs. Train by Chris Barton and Tom Lichtenheld.”

Alvina Ling, Vice President and Editor-in-Chief of Little, Brown Books for Young Readers

“I feel like a cliché but the answer is and always has been Alice from Alice in Wonderland. I’ve been obsessed with Alice and her adventures most of my life. In fact, as President (and benevolent dictator) of the Spanish National Honor Society club in high school, I gently forced the club to have an Alice theme for the Homecoming Parade. JUST so I could dress up as Alicia En El Pais de Las Maravillas. It was a dream come true. Or un sueño hecho realidad.”

Jody Mosley, Associate Publisher of ABRAMS Books for Young Readers

Volunteer Stories

Volunteering in NYC can be hard. It sometimes feels impossible to find the time and energy for it in such a fast-paced city, let alone finding the right place or organization to volunteer with. Some people are natural humanitarians who love to volunteer; it’s what they do for fun in their spare time. And then there are people like me who want to do good and make a difference, but maybe aren’t quite as selfless and really like to sleep in on Saturdays. That is why it is so important to find a volunteer opportunity that’s the right fit personality-wise, goal-wise, and schedule-wise; an activity that is not only fun, but will keep you coming back.

For me, I’ve found that activity within the hodgepodge of people and places that make up the 20 odd blocks that I walk every day: my community. And one of those places is my local park. It is a magical place that really supports and uplifts the entire neighborhood. Events are held there. Kids play there. Lifetime residents stroll there. Homeless people sleep there. The farmers market is there. Life is there. Supporting the park gives me a chance to connect and sustain what I think is the heart of my neighborhood.

From social media to soliciting neighborhood business support for events to event planning and park clean up, there are a million different ways to volunteer at your local park. Many NYC parks are supported by a dedicated group of community members who work with the NYC Parks department, their local politicians, and other non-profit groups to make a difference. There are so many little parks and squares located all over the five boroughs, and the Parks department can’t do it all. These groups need people of all talents to help them keep our parks open and well-maintained. Donating your time can be as simple as showing up to a weekly park cleanup, or offering to design the poster for an upcoming park-oriented event. You will be surprised at all the things you can do to make a difference. And many of those things don’t even involve getting your hands dirty!

Click the links below to discover some resources to help you get in touch with the right people at your neighborhood park:

  • https://www.nycgovparks.org/opportunities/volunteer
  • https://www.nycgovparks.org/about/partners
  • http://www.cityparksalliance.org/
  • https://www.volunteermatch.org/search/org617209.jsp

“Sometimes, they think we’re IT”: Meet the Metadata Department!

In brief, what does the Metadata team do?

We make sure all of the information related to a book – title, author, summary, price, subject categories, trim size, cover, and a whole lot more – gets to our online retailers, so that our books can be purchased online. Since the data is coming from a number of sources, and being entered in by dozens of editors, we also set data quality standards with our Metadata Style Guide. That helps make sure our product information is complete and accurate, uniform across different imprints, and optimized for search.

What is one thing that people generally get wrong about your department?

Sometimes, they think we’re IT. Which I get; even re-reading my answer above, it sounds a lot more tech-y than it actually is. We primarily curate the data, making sure it’s as clean as can be and sent on time. We liaise with metadata vendors, who handle the real tech-y stuff: converting the raw data into ONIX, which is a format used across the industry, and assuring distribution to all retailers as appropriate.

What is the most difficult thing about working in Metadata?

Best practices tend to shift regularly, moving both with technology and with demands from retailers and consumers. Those changes can mean tweaks along several points in the flow of data: in our own internal systems, in our curation workflow, in the database and distribution systems run by our vendors, and then in retailers’ systems. These are all managed by different parties, so there’s a lot of coordination involved, and then questions about how to handle our growing backlist. The best way to avoid any problems is to try to future-proof against possible industry shifts, but those aren’t always easy to see coming.

What is the best thing about working on the Metadata Team?

You get to work with everyone! Really. Everyone. All of Editorial and Design, for the full title list and covers. Marketing, Publicity, and Sales, for tweaks to copy that might boost a title, and for retailer needs. Production for coordination with files, especially for ebooks. Operations for some systems maintenance stuff and spec data. You also get a full sense for your house’s pub list – the range of everything that’s hitting the shelves, season to season and month to month, which is always fun. You really get familiar with all your books.

Q&A with Lindsay Pryor, Hachette Book Group, Human Resources Coordinator,

What is a typical day like in your role and in HR in general?

Like with any job, I don’t think there is a “typical day”! Day to day, I spend my time recruiting for open jobs and internships, answering employee questions, on-boarding new employees, and helping to plan company events. A typical day in HR in general varies depending on the role. Some roles are more focused on recruiting and some are more focused on employee relations or benefits. I think everyone should take some time to get to know their HR department! We aren’t only here when you have benefits questions or when something goes wrong; we can also help with general questions, shaping goals, and career advice!

Where did you get your start? Was working in HR for a publishing company something you chose or was it a happy circumstance?

I actually got my start after college as a third grade teacher in the South Bronx. After deciding that was not for me, I became a temp with an employment agency, and assisted clients with figuring out how to take the next steps in their careers. It was a total happy accident that I ended up in publishing and human resources, which is really where I should have been all along!

What do you think some of the differences are between working in HR for a publishing company versus for a company in another industry?

I think the biggest difference is that the employees in publishing really love what they do. There is a clear passion for the product, and that passion is so evident in the energy that is in the office every day.

What is some advice you would give to employees new in their career?

Network! So many job opportunities come from networking, and a lot of jobs are filled by referrals. Ask for informational interviews, attend Young to Publishing and Early Career Committee events, or join a group that fits your interests. This is the best thing you can do for yourself.

What is the most surprising thing you’ve learned about the publishing industry and/or the process of making books?

Although I’ve always been a bookworm, I never realized how much work goes into making a book and how many employees work on getting a single book to market! Essentially, it’s a much bigger operation than I ever expected, and there are departments that I never even knew existed before getting into publishing (looking at you, Managing Editorial and Production!)  

What were some of your favorite kids books growing up?

Growing up, I absolutely loved (and still do!) Tomie dePaola, especially his book Strega Nona. My parents and I read this over and over when I was little and it still has a special place in the bookcase.

ECC Agent/Editor Speed Networking Recap

When it comes to the ECC Events Calendar, only two things are certain: Trivia Night and the Agent/Editor Speed Networking event. On Wednesday, September 28, the ECC proudly presented the Annual Speed Networking Event for the fifth year in row.

It’s hard to gauge precisely how effective an event of this nature is. There’s a lot of chatter, a lot of movement, and sometimes, a lot of eye-rolling at the emcee who keeps shouting into the mic, encouraging participants to move on to the next person. Despite the somewhat intangible quality that defines networking events, this was quite a success*!

Twenty-six agents sat directly across from twenty-six editors, and despite the accidental game of musical chairs that occurred in the first five minutes, everyone found a partner. Editors and agents engaged in lively conversation; discussing current projects, personal tastes, and similar experiences that only comes from working in an industry as small as publishing. After a few minutes, the emcee called, “Switch!”, at which point the editors would stand up and move on to the next victim (or agent), and so on and so forth.

The speed dating style proved to live up to its name. The editors were able to mix and mingle with almost all twenty-six agents, moving around the tables in a “round robin” fashion. Most of the agents and editors who participated were in the first five years of their career, perfectly situated to take full advantage of the objective of this event: to make contacts and form new professional relationships.

Food and beverages were provided, and in a sweet moment of surprise, the event coordinators discovered to their utter delight that multiple bottles of wine were leftover for participants to take home. The event ended with an exciting, impromptu raffle, announcing ten winners who could take home a bottle of their choice of red or white.
The ECC hosts the Speed Networking Event every year, and is extremely proud of to continue this tradition. We are so pleased with the success of this year’s event, and are grateful to the editors and agents who signed up to participate.

*Precise measurements were not taken to determine the success level.

August/September 2016

HarperCollins Children’s Books

Lindsey Karl moves up to assistant manager of conferences and conventions.

Penguin Young Readers

Alex Ulyett has been promoted to associate editor at Viking Children’s Books.

Random House Children’s Books

Julianne Conlon has been named associate manager of the digital marketing team. She was previously social media specialist at Dealer.com

Samantha Gentry moves up to assistant editor at Crown Books for Young Readers.

Mallory Matney moves up to assistant manager of marketing operations.

Casey Moses has joined the house as design assistant.

Bridget Runge joins the company as events assistant.

Megan Williams has been promoted to assistant managing editor.

Simon & Schuster Children’s Publishing

Tricia Lin joins Aladdin as editorial assistant.

Sarah McCabe has been promoted to assistant editor.

Amanda Ramirez has joined the company as editorial assistant. She was formerly bookseller at Barnes & Noble and copy editor for Petite Hounds Press.

Nina Simoneaux takes on the role of junior designer at Aladdin. She was formerly design assistant at Random House Children’s Books.

Jessica Smith joins Simon Pulse as editorial assistant.