Blood of My Blood

Two years, three books, and several novellas later, Barry Lyga brings his YA serial killer trilogy—which began with I Hunt Killers—to a close. If the words “serial killer trilogy” did not make it clear, this series has always been known for its dark subject matter and its willingness to push conventional YA limitations in protagonist Jasper Dent’s hunt for serial killers. Blood of My Blood, however, goes much further than previous entries, not only in the violence on display, but with the psychologically disturbing revelations; many of which were set up in the first book.

For the first time, Jasper Dent is on the wrong side of the law. In the fallout of the second book, Jasper is implicated in the murder of an FBI agent and doesn’t have time to explain himself as he chases bread crumbs in a mad trail left by his father, the most notorious serial killer in history. To explain any more of the story would be to spoil the many twists that stand between Jasper and the final showdown with his parent. As in previous books, Jaspers best friend Howie and girlfriend Connie both have their moments to shine and add a little light and normalcy to the otherwise dark proceedings. If you find yourself drawn to well-crafted villains and anti-heroes, to the Hannibal Lecters and Dexters of fiction, you owe it to yourself to get caught up on this series—possibly in a well lit room.

 

Balzer + Bray

Balzer + Bray is a boutique imprint of HarperCollins Publishers. Established in 2008 by eponymous editors Alessandra Balzer and Donna Bray, B + B has become known for publishing bold, creative, groundbreaking picture books and novels. The imprint strives to give authors and illustrators the freedom to take risks while trying to fulfill their unique visions.

The Balzer + Bray list features numerous best-selling, award-winning talents such as Candace Bushnell (author of New York Times bestseller The Carrie Diaries), Patricia McCormick (author of the National Book Award Finalist Never Fall Down), Colin Meloy & Carson Ellis (husband-and-wife team behind the New York Times bestselling Wildwood Chronicles), Kadir Nelson (author and illustrator of Coretta Scott King Author Award-winning Heart and Soul), Lincoln Pierce (creator of the bestselling Big Nate series), and Mo Willems (three-time Caldecott Honor and two-time Geisel Medal and Geisel Honor-winning author of Goldilocks and the Three Dinosaurs, That Is Not a Good Idea!)

 

One exciting upcoming title:
Louise Loves Art
by Kelly Light
A cross between Olivia and Fancy Nancy, Louise is a precocious girl who loves art more than anything. Well, maybe not more than Art, her younger brother. This charming celebration of family and art is the debut picture book from rising talent Kelly Light, who Publishers Weekly called, “a confident visual storyteller with a gentle sense of comic timing.”
Published in September 2014.

One classic title:
Extra Yarn
by Max Barnett, illustrated by Jon Klassen  
In this modern fairy tale, a young girl finds a mysterious box filled with magical yarn and uses it to transform an entire community. Written by comedic master Mac Barnett and illustrated by celebrated artist Jon Klassen, Extra Yarn garnered numerous awards including a Caldecott Honor and a Boston Globe-Horn Book Award.
Published in January 2012
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One series you may not have heard about: 
Cold Cereal by Adam Rex
This hilarious, action-packed adventure is the first book in the Cold Cereal Saga: a trilogy about three kids who must save the world from an evil cereal company, which has been luring magical creatures to our world through a rift in the time-space continuum. It’s a clever, peculiar, and completely unique tale for middle-grade readers from the incomparably creative mind of Adam Rex.
Published in January 2013.

Licensing and Branding 101 Panel

Last month, the ECC hosted a continuing education event featuring three industry luminaries with expertise in licensing and branding.

Panelists Samantha Schutz (Associate Publisher at Scholastic), Erin Stein (Editorial Director at Little, Brown), and Veronica Wasserman (Brand Director at ABRAMS) — with moderator Morgan Dubin (Publicist/Marketing Associate at ABRAMS and ECC Board Chair) guiding the discussion — presented a thorough overview of the broad and dynamic topic, covering everything from the basics* to more nuanced challenges of their departments** to the surprising audiences reached by certain brands***.

*What’s the difference between licensing and branding, anyway?

**How is licensing and branding approached differently depending on the different sales channels a publisher may be trying to reach?

***Did you know there is a contingent of adult My Little Pony enthusiasts who call themselves Brownies? (If you didn’t, now you do.)

If you missed the panel, you can hear the answers to these questions (and learn a lot more about Brownies) by checking out the recording!

Book Club Pot Luck

A look at the ECC Board’s first summer book club (NO SPOILERS: GUARANTEED)

Back in June, the ECC decided to host a summer book club for its board members. Each board member pitched a book that they had worked on at their respective houses and/or were most excited to share. The books spanned a wide range of ages and genres, including literary and commercial young adult, quirky middle grade, and fantasy. Everyone voted anonymously for their favorite pick, and the winner was The Riverman by Aaron Starmer, a middle-grade novel published in March 2014 by Macmillan. Check out a full review of The Riverman here.

Each member received a complimentary copy of the book to read. The board members convened for their book club one evening in July after work, and everyone brought a dish for the potluck dinner. Instead of charging someone to lead the discussion, the members selected a conversation topic and let the discussion flow organically from there. The first topic addressed was the cliffhanger ending (don’t worry, there are no spoilers here). Some people felt that the action at the end unfolded too fast, making it difficult to understand exactly what was happening. Others argued that the cliffhanger ending was their favorite part of the story. One board member asked if everyone had read the book knowing that it was the first in a planned series, a question which received a mixed response. Many of the members had read the book as if it was a stand-alone novel, and the rest had looked the book up online and knew that it was the first in a series before they began reading. As one might expect, the discussion then shifted to whether people had changed their minds and liked the cliffhanger ending better, now that they knew it was the first book in a series.

During the next hour and a half, the conversation covered a number of other topics, such as whether people could relate to the main characters, Alistair and Fiona; the accelerated passage of time in Aquavania; the roles and believability of minor characters; and the author’s choices when it came to formatting and opening the story. While individual board members’ opinions varied depending on the topic or question being discussed, everyone agreed that they had enjoyed the book overall. At the end of the night, the board members unanimously voted to plan another potluck/book club for next summer, since the first one was such a success.

 

Gather a few kid lit lovers and have a Book Club Pot Luck of your own! Questions on how to get started? Email us!

E. Lockart: Our 2014 Extreme Trivia Challenge Host!!

Hello, members of the ECC!

I am E. Lockhart and I write fiction for young adults, including The Disreputable History of Frankie Landau Banks and We Were Liars. I wrote a series called The Ruby Oliver Quartet as well, which begins with The Boyfriend List. I am also Emily Jenkins – that is, I publish under two names. As Emily Jenkins I wrote the Toys series, illustrated by Paul O. Zelinsky, which begins with Toys Go Out; and the Invisible Inkling series, illustrated by Harry Bliss. I also wrote a bunch of picture books. The most recent two are Lemonade in Winter, illustrated by Brian Karas and Water in the Park, illustrated by Stephanie Graegin. I teach in the MFA program in Writing for Children at Hamline University and have a doctorate in English literature. I have never hosted a trivia night and I am terrified.

In the world of children’s books, you write just about everything on the spectrum, from picture books to young adult. Is there an age group you enjoy writing for more, or that you find easier?
The longer novels are bleeding and suffering and headaches and caffeine. I am happy only when I have made something I am proud of. The shorter books, middle-grade, are cheery and fun with only the occasional bruising. The picture books are cupcakes and don’t hurt at all.

What children’s books influenced you as a child and teenager? Was there any particular writer you aspired to be like?
I wanted absolutely to be Joan Aiken, author of The Wolves of Willoughby Chase, etc. I filled many Montessori school notebooks with imitations of her writing. I am nothing like her.

Being a writer has its ups and downs, like any other job. What do you find most rewarding about your career choice, and what do you find most challenging?
I am very glad to tell stories. Stories matter to me, and I think they matter to humans. We are the only animal we know of who tells them, and we have always told them. It is a primal art. I find the irregular paychecks challenging.

There has been a lot of media coverage around the popularity of “realistic” fiction, especially in the YA genre. Why do you think teens are becoming more interested in this genre now? What do you enjoy about writing this kind of book, like your most recent, We Were Liars?
I can’t write futuristic or paranormal stories, though I like reading them. Even my books with magic in them are all based in the everyday. I am not equipped to analyze publishing trends, but certainly there have been some cool films that have elevated sales all-round for realistic YA: If I Stay, The Perks of Being a Wallflower, The Fault in Our Stars, The Spectacular Now.

Readers and fans of We Were Liars continue to praise the ending, and although the book has been out since May, fans seemed to have continued to “lie” to protect it. What do you think made fans so dedicated to safeguarding the book’s final (mind-blowing) secret?
Collective secrets are fun. It’s why people give surprise parties.

Can you tell us anything about what you are working on now, or what you hope to take on as a future project?
My next novel has a little bit of murder in it. That’s the YA book. It’s far from finished. As Emily Jenkins, I have two picture books coming out — A Fine Dessert with Sophie Blackall and The Fun Book of Scary Stuff with Hyewon Yum.

What advice do you like to give to aspiring writers?
Read everything. All the time. Constantly. Did you stop reading just now? Don’t stop. Read something else. Go ahead.

What was your must-have summer read this year?
Grasshopper Jungle by Andrew Smith. That book is — it’s just delicious. Enormous, horny praying mantises take over the world while one particular boy is trying to figure out his sexuality.

 

– E. Lockhart

Hitty, Her First Hundred Years

Hitty, Her First Hundred Years is told through the voice of a charming, resilient little doll named Hitty. Made from sturdy mountain-ash wood, she has survived all manner of dangers and has now decided to recall them in her memoirs.

She begins her life in the state of Maine, with the family of a whaling captain. Soon enough she finds herself on a whaling ship in the South Seas, then shipwrecked on a Caribbean island. But that’s only the beginning! As she shifts from owner to owner, Hitty finds herself with missionaries in India, Quakers in Philadelphia, the high society of New York City and the old world of the deep South. Eventually she is bought from an antique shop and returns, by extreme coincidence, to her original home in Maine. With each adventure neatly told within a chapter, Hitty makes for a perfect read-aloud. It’s also fun to catch the references to historical events, people and customs.

Unfortunately, this 1930 Newberry-award winning book is also full of casual racism and dated stereotypes. That’s not to say that Hitty cannot be enjoyed. But if giving this book to children, a few of her adventures should be tempered with a discussion of race, injustice, and a fuller picture of American history!

 

Little Elliot Big City

Little Elliot Big City is the start of a brand new series with old world charm.  

Elliot is a very little elephant living in a very big city. The hustle and bustle of New York can be a bit much for such a sweet little fellow. It’s hard for this polka-dotted elephant to hail a cab, take the subway, or even peer over the counter to buy a cupcake at the bakery. But when Elliot meets a mouse who is even smaller than he is, he finds that helping his new friend makes him feel like the tallest elephant in the world. And together, they’re able to secure a delicious cupcake treat!

Curato’s sparse text sets his gorgeous illustrations at center stage. It’s easy – and fun – to get lost, wandering the streets of 1940s New York with Elliot and his new friend as they pass such iconic landmarks as the Flatiron and Empire State buildings. Elliot himself is as sweet as the cupcakes he loves so much. This expressive little elephant has all the charm of a classic picture book character.

August/September 2014

Congratulations on your new positions!

Little, Brown Books for Young Readers

Lenna Stites joins the company as subsidiary rights assistant.

Random House Children’s Books

Formerly an associate editor at Simon & Schuster Children’s, Julia Maguire joins Knopf Children’s as editor.

Nina Simoneaux has joined the Knopf Doubleday Dell art group as design assistant.

Scholastic

Erin Black has been promoted to associate editor, Scholastic Press. She was previously Assistant Editor.

Simon & Schuster Children’s Books

Annie Nybo, former ECC board memeber, is being promoted to assistant editor at Margaret K. McElderry Books.

Chrissy Pulles has been promoted to associate editor at Simon Spotlight; she was previously assistant editor.

Michael Strother moves up to associate editor of Simon Pulse.

Clifford Collection

Every year, come September, I always get a little nostalgic for the good old days when I was in school, so I thought I’d revisit a classic from my childhood in the way of Clifford the Big Red Dog. He celebrated his 50th birthday last year, and to commemorate the occasion, Scholastic released this storybook collection of his first six stories, featuring the original artwork. Most of you probably grew up with a full-color Clifford, but as it turns out, the series—which has grown to include countless books, tons of merchandise, and its own TV show—started as a three-color book. With rough black lines and the obvious pops of red, the Clifford on these pages might not be the one you know today, but he and the overall look of the stories are incredibly delightful.

The collection features the stories: Clifford the Big Red Dog, Clifford at the Circus, Clifford Gets a Job, Clifford Takes a Trip, Clifford’s Good Deeds, and Clifford’s Tricks. Each story has the larger-than-life dog finding himself, and his human owner Emily Elizabeth, in troublesome situations — ultimately saving the day in a way only Clifford could manage. My personal favorite is when Clifford, failing to find a job he’s really good at, manages to help local police by playing fetch with a couple of robbers. For parents and curious kids wanting to delve more into the history of this iconic pooch, the book also includes a letter from Norman Bridwell, a look at his painting from 1962 — which first inspired the characters –and other fun tidbits about the creation of this beloved series. The Clifford Collection is a unique treasury that is sure to be cherished by kids, their parents…and perhaps even their grandparents.