What’s Left of Me

What does it mean to exist? And how far would you go to stay alive?

These are the questions posed by Kat Zhang’s What’s Left of Me, the intricate story of Eva and Addie, two souls woven together in one body. This condition — known as hybrid — is not uncommon, and children are allowed to persist in this state, knowing that the stronger, dominant soul will inevitably win out and smother the weaker soul. As a little girl, Eva and Addie take turns controlling their body, but as they grow older and neither one of them seems to be fading, everyone grows nervous. Everyone knows that adult hybrids are dangerous and illegal. The government captures hybrids and “cures” them by destroying the recessive soul.  Fortunately, all the worry seems to be for nothing as, to the appearance of all medical tests, Eva fades away just like she’s supposed to.

The only problem is Eva never really disappears. She remains trapped in the body, a secret only Addie knows. It seems Eva is destined to live this way forever, a spectator to someone else’s life, until one day the girls are presented with a way for Eva to move again.  At the risk of being exposed as a hybrid, how far will the sisters go for Eva’s existence?

Zhang shifts seamlessly from 1st person singular to plural depending on who Addie & Eva are speaking with and their own inner dialogue keeps the story moving swiftly to the very last page.

What’s Left of Me

What does it mean to exist? And how far would you go to stay alive?

These are the questions posed by Kat Zhang’s What’s Left of Me, the intricate story of Eva and Addie, two souls woven together in one body. This condition — known as hybrid — is not uncommon, and children are allowed to persist in this state, knowing that the stronger, dominant soul will inevitably win out and smother the weaker soul. As a little girl, Eva and Addie take turns controlling their body, but as they grow older and neither one of them seems to be fading, everyone grows nervous. Everyone knows that adult hybrids are dangerous and illegal. The government captures hybrids and “cures” them by destroying the recessive soul.  Fortunately, all the worry seems to be for nothing as, to the appearance of all medical tests, Eva fades away just like she’s supposed to.

The only problem is Eva never really disappears. She remains trapped in the body, a secret only Addie knows. It seems Eva is destined to live this way forever, a spectator to someone else’s life, until one day the girls are presented with a way for Eva to move again.  At the risk of being exposed as a hybrid, how far will the sisters go for Eva’s existence?

Zhang shifts seamlessly from 1st person singular to plural depending on who Addie & Eva are speaking with and their own inner dialogue keeps the story moving swiftly to the very last page.

Emily Waters, Associate Marketing Manager, School and Library Marketing, Macmillan Children’s Publishing Group

Emily Waters, associate marketing manager, school and library marketing, Macmillan Children’s Publishing Group

How long have you worked at Macmillan?

I’ve been at MacKids for over two years now.

What was your first job in children’s publishing? How did you come to school and library marketing?

My first job (and the only full-time job I had previous to this one) was in the school and library marketing department over at Random House Children’s. I came to New York to participate in the NYU Summer Publishing Institute right after getting my bachelor’s degree in Communication Studies. English and literature had always been my primary interest (although I wasn’t interested in teaching, hence the Communications degree), so I started by applying for editorial jobs. Along the way I sprinkled in some marketing and publicity interviews, and when I interviewed for the S&L assistant position at RHCB I knew I’d found my niche. I loved the travel aspect of the job and the fact that I’d be able to work with teachers and librarians, some of my favorite people (even more so now!) 

How did you make the transition from the assistant level to the level of associate marketing manager? Can you share a piece of knowledge you wished you had known while making that transition?

I actually met my current supervisor when she was freelancing for RHCB. I passed a few projects over to her and trained her in a few of our programs . . . and now she’s supervising me! 🙂 She took the S&L Director position here at MacKids shortly after that, so I applied for the Associate Marketing Manager position with her then. If I had any advice about that process, I would say don’t underestimate yourself. It can be scary to jump to a higher position, but you’ll make the transition faster than you think!

Can you describe your typical day?

I have three main responsibilities: conferences, national and state book awards, and brainstorming and creating promotional pieces to take to the conferences. The conferences are a whirlwind — I need to start planning for them a year in advance so it’s a constant cycle, and I’m usually working on 3-5 conferences at a time. And of course there’s the time we get to spend traveling! There are thousands of national and state book awards that we can submit books to. I focus on the ALA awards as a priority and have a core list of state awards that we submit to as well. And of course we’re constantly promoting our books throughout the year, outside of the shows. I write copy for posters, brochures, bookmarks, and for our conference program ads.

And what’s a typical conference like?

Did I mention they’re a whirlwind? We need to arrive a few days before the exhibits open for setup. Hard and dirty labor! But so worth it when you see the final booth space. During the exhibit hours we’re either in the booth talking to librarians/teachers about our books and answering their questions, coordinating an author signing in the booth, or escorting an author to one of the many programs that take place throughout the conference. We usually have anywhere between 8 to 15 authors so it’s a lot of coordinating to get them where they need to be. We host at least one dinner per show with authors and conference attendees so that they can get some one-on-one time.

What was the first conference you took part in? What advice would you give someone going to their first conference?

My first show was an ALA Midwinter show in Denver. I was SO EXCITED. I took pictures of everything and bought a t-shirt at the ALA store. I think I almost fainted from the excitement of being at the press conference where they announce the Newbery and Caldecott award winners. And I ate…a lot.

My #1 conference advice: wear comfortable shoes and stretch for your galley squats before and after exhibit hours. We keep our galleys underneath the tables of our booth and have to bend down to get one each time an attendee requests it. I foolishly squatted on my knees every single time and I was so sore that I could barely sit down.

What is your favorite part about interacting with librarians and educators? What, if anything, have you learned from them about our books?

My favorite part about interacting with them is their enthusiasm and their dedication to children’s literacy. It is unsurpassed and like nothing I’ve come into contact with before. From them, I’ve learned that a single book can change a child’s life. I know you hear that all the time, but I’ve heard so many specific stories that I know it to be a fact! Which should make all of us feel good about being in publishing.

What skills do you think are indispensable to working in school and library marketing?

Organization, time-management, attention to detail, and enthusiasm. Those first three may sound like a generic job listing but when you’re keeping track of so many conferences at once and each conference has x# of authors and x# of events and x# of shipments, you really need to practice those skills! And you need to be genuinely enthusiastic about the books in order to book talk them at the shows. Librarians and educators honestly listen to us and respect our opinions, so if we can convince them that they can’t go another day without reading a certain book, then our job is done.

What is one of the worst (it doesn’t have to be the worst) mistake you’ve made? How did you get beyond it?

I must have blocked all of the many mistakes I’ve made from my memory in order to move forward, but I can tell you an embarrassing story instead! Better, right? It was my first week at Macmillan and I hadn’t had a chance to meet everyone yet. There was a large meeting one of those days and I was nervously trying to find a seat after grabbing a cup of water. I accidentally tripped and spilled my entire cup of water onto the lap of an extremely important person who shall not be named. I hadn’t met this person at the time, so I’m sure I made a wonderful first impression as I RAN to the bathroom to get paper towels and kneeled at his/her feet to mop up the mess. I honestly have no idea if that person connected me to the incident when I did formally meet them.

What is your favorite industry-related website or blog?

I usually frequent PW and the SLJ blogs (Fuse #8 and the mock award blogs) to get my current industry and buzz info. My favorite blogs right now are probably Seven Impossible Things Before Breakfast, Bookshelves of Doom, and Screwy Decimal.

What are you reading now? Or what was the last book you really enjoyed?

I just finished a 2013 galley, Love in the Time of Global Warming, by Francesca Lia Block. She has a large following of devoted fans, but I’ve never read her before. I was blown away by her prose. I’m a little over the post-apocalyptic themes that are popular right now, but she takes it to a whole different level.

Recent years have seen a rise in picture-book biographies. Were your life ever to be chronicled in such a way-and don’t be modest, now-who would you choose to illustrate it?

When I read these questionnaires I always make sure to read the answers to this one, but I really don’t like having to answer it myself! There are a million illustrators swirling around in my head right now and I’m sorry I just can’t pick one. It would probably get me in trouble, anyway. Some angry illustrator would want to know why I didn’t pick THEM. Am I right?

Emily Waters, Associate Marketing Manager, School and Library Marketing, Macmillan Children’s Publishing Group

Emily Waters, associate marketing manager, school and library marketing, Macmillan Children’s Publishing Group

How long have you worked at Macmillan?

I’ve been at MacKids for over two years now.

What was your first job in children’s publishing? How did you come to school and library marketing?

My first job (and the only full-time job I had previous to this one) was in the school and library marketing department over at Random House Children’s. I came to New York to participate in the NYU Summer Publishing Institute right after getting my bachelor’s degree in Communication Studies. English and literature had always been my primary interest (although I wasn’t interested in teaching, hence the Communications degree), so I started by applying for editorial jobs. Along the way I sprinkled in some marketing and publicity interviews, and when I interviewed for the S&L assistant position at RHCB I knew I’d found my niche. I loved the travel aspect of the job and the fact that I’d be able to work with teachers and librarians, some of my favorite people (even more so now!) 

How did you make the transition from the assistant level to the level of associate marketing manager? Can you share a piece of knowledge you wished you had known while making that transition?

I actually met my current supervisor when she was freelancing for RHCB. I passed a few projects over to her and trained her in a few of our programs . . . and now she’s supervising me! 🙂 She took the S&L Director position here at MacKids shortly after that, so I applied for the Associate Marketing Manager position with her then. If I had any advice about that process, I would say don’t underestimate yourself. It can be scary to jump to a higher position, but you’ll make the transition faster than you think!

Can you describe your typical day?

I have three main responsibilities: conferences, national and state book awards, and brainstorming and creating promotional pieces to take to the conferences. The conferences are a whirlwind — I need to start planning for them a year in advance so it’s a constant cycle, and I’m usually working on 3-5 conferences at a time. And of course there’s the time we get to spend traveling! There are thousands of national and state book awards that we can submit books to. I focus on the ALA awards as a priority and have a core list of state awards that we submit to as well. And of course we’re constantly promoting our books throughout the year, outside of the shows. I write copy for posters, brochures, bookmarks, and for our conference program ads.

And what’s a typical conference like?

Did I mention they’re a whirlwind? We need to arrive a few days before the exhibits open for setup. Hard and dirty labor! But so worth it when you see the final booth space. During the exhibit hours we’re either in the booth talking to librarians/teachers about our books and answering their questions, coordinating an author signing in the booth, or escorting an author to one of the many programs that take place throughout the conference. We usually have anywhere between 8 to 15 authors so it’s a lot of coordinating to get them where they need to be. We host at least one dinner per show with authors and conference attendees so that they can get some one-on-one time.

What was the first conference you took part in? What advice would you give someone going to their first conference?

My first show was an ALA Midwinter show in Denver. I was SO EXCITED. I took pictures of everything and bought a t-shirt at the ALA store. I think I almost fainted from the excitement of being at the press conference where they announce the Newbery and Caldecott award winners. And I ate…a lot.

My #1 conference advice: wear comfortable shoes and stretch for your galley squats before and after exhibit hours. We keep our galleys underneath the tables of our booth and have to bend down to get one each time an attendee requests it. I foolishly squatted on my knees every single time and I was so sore that I could barely sit down.

What is your favorite part about interacting with librarians and educators? What, if anything, have you learned from them about our books?

My favorite part about interacting with them is their enthusiasm and their dedication to children’s literacy. It is unsurpassed and like nothing I’ve come into contact with before. From them, I’ve learned that a single book can change a child’s life. I know you hear that all the time, but I’ve heard so many specific stories that I know it to be a fact! Which should make all of us feel good about being in publishing.

What skills do you think are indispensable to working in school and library marketing?

Organization, time-management, attention to detail, and enthusiasm. Those first three may sound like a generic job listing but when you’re keeping track of so many conferences at once and each conference has x# of authors and x# of events and x# of shipments, you really need to practice those skills! And you need to be genuinely enthusiastic about the books in order to book talk them at the shows. Librarians and educators honestly listen to us and respect our opinions, so if we can convince them that they can’t go another day without reading a certain book, then our job is done.

What is one of the worst (it doesn’t have to be the worst) mistake you’ve made? How did you get beyond it?

I must have blocked all of the many mistakes I’ve made from my memory in order to move forward, but I can tell you an embarrassing story instead! Better, right? It was my first week at Macmillan and I hadn’t had a chance to meet everyone yet. There was a large meeting one of those days and I was nervously trying to find a seat after grabbing a cup of water. I accidentally tripped and spilled my entire cup of water onto the lap of an extremely important person who shall not be named. I hadn’t met this person at the time, so I’m sure I made a wonderful first impression as I RAN to the bathroom to get paper towels and kneeled at his/her feet to mop up the mess. I honestly have no idea if that person connected me to the incident when I did formally meet them.

What is your favorite industry-related website or blog?

I usually frequent PW and the SLJ blogs (Fuse #8 and the mock award blogs) to get my current industry and buzz info. My favorite blogs right now are probably Seven Impossible Things Before Breakfast, Bookshelves of Doom, and Screwy Decimal.

What are you reading now? Or what was the last book you really enjoyed?

I just finished a 2013 galley, Love in the Time of Global Warming, by Francesca Lia Block. She has a large following of devoted fans, but I’ve never read her before. I was blown away by her prose. I’m a little over the post-apocalyptic themes that are popular right now, but she takes it to a whole different level.

Recent years have seen a rise in picture-book biographies. Were your life ever to be chronicled in such a way-and don’t be modest, now-who would you choose to illustrate it?

When I read these questionnaires I always make sure to read the answers to this one, but I really don’t like having to answer it myself! There are a million illustrators swirling around in my head right now and I’m sorry I just can’t pick one. It would probably get me in trouble, anyway. Some angry illustrator would want to know why I didn’t pick THEM. Am I right?

January 2013

HarperCollins Children’s Books

Carla Cain-Walther joins as editorial assistant. Carla previously interned at Paper Lantern Lit as an editorial intern.

Kamilla Benko is the newest administrative assistant. She previously interned at Viking Children’s as an editorial intern and Foundry + Media as literary and media intern.

Eleanor Blaire is now an editorial assistant. Eleanor previously interned at Harper in the Avon imprint and at Seven Stories Press.


Penguin Books for Young Readers

Michael Coulter joins Dial as editorial assistant.

Annie Beth Ericsson has been promoted to junior designer at Penguin/Putnam.


Random House Children’s Books

Paula Sadler was hired as an editorial assistant. Previously, she worked for Penguin Young Readers Group.


Simon & Schuster Children’s Books

Lauren Bisom joins Little Simon as editorial assistant. Most recently she was an intern at Picador while working part-time at Macmillan Speakers Bureau.

Chloe Perkins was hired as an editorial assistant at Simon Spotlight.

January 2013

HarperCollins Children’s Books

Carla Cain-Walther joins as editorial assistant. Carla previously interned at Paper Lantern Lit as an editorial intern.

Kamilla Benko is the newest administrative assistant. She previously interned at Viking Children’s as an editorial intern and Foundry + Media as literary and media intern.

Eleanor Blaire is now an editorial assistant. Eleanor previously interned at Harper in the Avon imprint and at Seven Stories Press.


Penguin Books for Young Readers

Michael Coulter joins Dial as editorial assistant.

Annie Beth Ericsson has been promoted to junior designer at Penguin/Putnam.


Random House Children’s Books

Paula Sadler was hired as an editorial assistant. Previously, she worked for Penguin Young Readers Group.


Simon & Schuster Children’s Books

Lauren Bisom joins Little Simon as editorial assistant. Most recently she was an intern at Picador while working part-time at Macmillan Speakers Bureau.

Chloe Perkins was hired as an editorial assistant at Simon Spotlight.

Acquisitions and Sales

This month we take a look at industry jargon used to assess potential acquisitions.

P&L – profit and loss statement

ROI – return on investment

Op Profit (Operating Profit) – a measure of a project’s potential profitability after all its costs are considered

Gross Sales – the sales made before factoring in any returns

Returns – the dollar value of any returns

Net Sales – the total sales (equals the gross sales minus value of any returns)

Unit Cost – the actual amount it costs to produce one book (or unit)

PPB (Paper, Print, Binding) – the cost of producing the desired number of books (equals the unit cost times the net units sold)

Royalty – the percentage of project’s income that will be earned by author/illustrator. It can be based on list or retail price, and thus equals the royalty rate times the price times the net units sold. Or, it can be based on net price, and thus equals the royalty rate times the net dollars received.

Acquisitions and Sales

This month we take a look at industry jargon used to assess potential acquisitions.

P&L – profit and loss statement

ROI – return on investment

Op Profit (Operating Profit) – a measure of a project’s potential profitability after all its costs are considered

Gross Sales – the sales made before factoring in any returns

Returns – the dollar value of any returns

Net Sales – the total sales (equals the gross sales minus value of any returns)

Unit Cost – the actual amount it costs to produce one book (or unit)

PPB (Paper, Print, Binding) – the cost of producing the desired number of books (equals the unit cost times the net units sold)

Royalty – the percentage of project’s income that will be earned by author/illustrator. It can be based on list or retail price, and thus equals the royalty rate times the price times the net units sold. Or, it can be based on net price, and thus equals the royalty rate times the net dollars received.

Little, Brown Books for Young Readers: LB Kids

LB Kids is an imprint of Little, Brown Books for Young Readers, a part of Hachette Book Group. The imprint focuses on publishing novelty books for young readers with interesting and innovative child-friendly specs and formats — everything from lift-the-flaps to pop-ups to books with finger puppets or plush animal ears. It is also home to many of LBYR’s younger licensed titles.

LB Kids features the work of award-winning talent, including Sandra Magsamen, Matthew Reinhart, Elise Broach and Cori Doerrfeld, Salina Yoon, Tad Carpenter, Rachael Hale, and more; plus licenses including Transformers, The Muppets, Super Hero Squad, and My Little Pony. The imprint also features novelty books and board books from the stars of LBYR’s picture book list. LB Kids published its first book in 2005 and releases approximately 25 books per year.

One exciting new title:
You’re Purrfect to Me and Our Little Deer by Sandra Magsamen 
Two new board books by Sandra Magsamen feature plush animal ears that interact with the art on each spread.  These join I Ruff You and I Love You, Honey Bunny in our earesistible collection.
Published Spring 2013 and Fall 2013.

One classic title:
Go Away Big Green Monster by Ed Emberley
This beloved title (now celebrating its 20th anniversary in print!) has die-cuts on every spread which reveal Big Green Monster’s eyes, nose, mouth. Kids will revel in saying, “Go Away!” as each part disappears again. Look for the adorable companion title, Nighty-Night, Little Green Monster, out this spring.
Published April 1993.

One title you may not have heard about:
Kaleidoscope by Salina Yoon
This visually captivating book features a real kaleidoscope lens built into the book that lets readers take an interactive journey. Pinwheel, Yoon’s follow-up book slated for the spring, includes an inventive spinning design on every spread.
Published April 2012.

Little, Brown Books for Young Readers: LB Kids

LB Kids is an imprint of Little, Brown Books for Young Readers, a part of Hachette Book Group. The imprint focuses on publishing novelty books for young readers with interesting and innovative child-friendly specs and formats — everything from lift-the-flaps to pop-ups to books with finger puppets or plush animal ears. It is also home to many of LBYR’s younger licensed titles.

LB Kids features the work of award-winning talent, including Sandra Magsamen, Matthew Reinhart, Elise Broach and Cori Doerrfeld, Salina Yoon, Tad Carpenter, Rachael Hale, and more; plus licenses including Transformers, The Muppets, Super Hero Squad, and My Little Pony. The imprint also features novelty books and board books from the stars of LBYR’s picture book list. LB Kids published its first book in 2005 and releases approximately 25 books per year.

One exciting new title:
You’re Purrfect to Me and Our Little Deer by Sandra Magsamen 
Two new board books by Sandra Magsamen feature plush animal ears that interact with the art on each spread.  These join I Ruff You and I Love You, Honey Bunny in our earesistible collection.
Published Spring 2013 and Fall 2013.

One classic title:
Go Away Big Green Monster by Ed Emberley
This beloved title (now celebrating its 20th anniversary in print!) has die-cuts on every spread which reveal Big Green Monster’s eyes, nose, mouth. Kids will revel in saying, “Go Away!” as each part disappears again. Look for the adorable companion title, Nighty-Night, Little Green Monster, out this spring.
Published April 1993.

One title you may not have heard about:
Kaleidoscope by Salina Yoon
This visually captivating book features a real kaleidoscope lens built into the book that lets readers take an interactive journey. Pinwheel, Yoon’s follow-up book slated for the spring, includes an inventive spinning design on every spread.
Published April 2012.